This week’s parsha details the creation of a mishkan, a holy space for God to dwell on this earth. Ve’asu li mikdash veshahanti betokham. They should make for Me a sanctuary and I will dwell in their midst. How can we draw down God’s Presence to this earth?
In the Mishkan God’s voice would come from between the two cherubs which stand atop the aron, the ark. These cherubs are said to have had the faces of children and to stand facing one another, with their wings stretched out, sokhekhim bekanfeihem, creating a shelter (from the same word as sukkah ) with their wings over the cover of the ark.
Where does God dwell? He dwells in the places where we can turn to each other with the innocence and pure-heartedness of children, really deeply turn to each other, like a child before she is covered over by social concerns and self-consciousness. See each other in this deep, pure, whole-hearted way and create together a space of shelter, a container of love.
God dwells in the containers of love that we create together. God is both the container, the one who holds us in love and shelter – who is Himself pores sukat shalom alenu, “spreading a sukkah of peace over us” – and also the one who is held by our container, by our love. He enters into the spaces where we create such containers, and Himself provides such a container, such a feeling of protection and love, for us to dwell in.
Where are these spaces in life? They are all around us, though we are often too busy to notice them or feel them. All these accomplishments, things we rush around to produce and finish, that’s all fine. The mishkan does need to be built. Ultimately, though, where is God? In the moments that we take to turn toward one another. Pause for a moment in your interactions with people, just pause and feel their presence, feel your connection to them, turn deeply toward them and feel the holiness of the space that is created, how, in holding one another, you create a container for God’s Presence, create a space to feel the One that holds us all.
Watercolor by Timothy Lytton
